The wave walls read as landscapes with surface carving establishing a precise topography, but it is the finishing sequence that activates the window: successive coats of pigment, metallic suspensions, foils, glazes, varnish and particulate mica turn the surface into a calibrated light instrument, shifting from flat plane to depth.

The architecture of the window becomes a frame for this single act of surface, where structure, image and atmosphere collapse into one worked skin.